CON SONANZA (1997)

The title of the piece alludes to both the fact that the piece is composed for and dedicated to the 
Sonanza ensemble and the rather consonant treatment of the modal soundmaterial.
The meandering dramatic course of the piece leads the listener into diverse sections, 
constructed on small rhytmic and melodic-harmonical processes, small microstructures resulted 
out of the dismantled, informationfull exposition. Its component parts, which are returning allways 
in other combinations and under diverse aspects, are owning a special character and expression 
manners, and atributes the piece a luxuriant and varied scale of musical events.

   
     

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